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The
Origins of Chess
Contadini - Islamic Chessmen (Page 4)
Draughtsmen
and Dice
The collection
of Islamic ivory table pieces in the Ashmolean Museum consists of
two draughtsmen (nos 13, 14; figs 34, 35), two rectangular dice (nos
15,16; figs 36, 37), with the numbers on the opposite faces 1-6, 2-5,
and one cubic die (no.17; fig38), with the modern number pairings.
The cubic die is obviously modern, of the type commonly found also
in Europe, and discussion will therefore be concentrated on the other
four pieces. The problems are not ones of identification, but rather
of dating and of establishing for which game or games they were used.
Draughtsmen (34)
If scholarship on Islamic chess pieces is still at an early stage,
for Islamic draughtsmen and dice it is almost non-existent. Draughtsmen
have retained practically the same shape, with almost identical decoration,
in every period and every culture. Roman ivory or bone draughtsmen,
(35) for example, are not dissimilar to Coptic (36) and Islamic ones
(see Appendix II). The decorations employed are concentric circles
containing rings of concentric circles, or small circles with a dot
in the middle. Such circles are employed decoratively both for draughtsmen
and dice from the Mohenjo Daro era of the 3rd millennium BC (37) down
to Roman times (38) and beyond to Coptic (see note 36), medieval (39) and modem Islamic and European periods. This simple form of draughtsman
has been used for various board games such as alea, tablas and nard.
(40)
Figure 27 Pawn, ivory. Bought in Cairo, 15th-17th century AD. Ashmolean
Museum, acc. no. X332Q. Style set B.
Figure 28 Pawn, ivory. Bought in Cairo, 15th-17th century
AD. London, British Museum, Dalton 592. Style set B.
Figure 29 King, Queen or Pawn, ivory. Reported to come from
Fustat, 14th-15th century AD. Ashmolean Museum, acc. no. X33ig.
Style set B.
Figure 30 King, Queen or Pawn, ivory. Bought in Cairo, 14th-15th
century AD. London, British Museum, inv. no. 83-6.-21.71. Style
set B.
Figure
31 King, Queen or Pawn, ivory. Bought in Cairo, 14th-15th
century AD. London, British Museum, Dalton 601. Style set B.

Figure 32 Pawn,
ivory. Reported to come from Fustat, 14th-15th century AD. Ashmolean
Museum, ace. no. X3318. Style set B.
Figure 33 Pawn, ivory. Bought in Cairo, 14th-17th century
AD. British Museum, inv. no. 83.6-21.70. Style set B.
(p.124)
Dice (41)
Equally, dice are used for a wide variety of games of chance (figs
39, 40)(42) and, in the Islamic context, it is very difficult to differentiate
those that use cubic dice from those that use rectangular dice. Apparently
the rectangular die is a direct evolution of the talus, the Roman
knuckle-bones of sheep and goats. According to Culin 'Among the Greeks
and Romans numerical values were attributed to the four long sides,
the two pointed ends not being counted. The two broad sides, respectively
convex and concave, counted three and four, while of the narrow sides,
the flat counted one and the indent six.' (43) He then deals with
the Turks, Arabs and Persians, specifying that 'The Arabic name for
bones is kab (dual, kabatain, plural, kabat) (44) meaning 'ankle',
referring to their source. Two bones are now commonly used - one from
the right and the other from the left leg of a sheep. I regard them
as the direct ancestors of cubical dotted dice, the name of which
in Arabic is the same as that of the bones. The dice used in Arabic
countries are made in pairs, and the most popular and universal game
is with two dice, kabatain. (45) There is evidence that the rectangular
die could have been used for the four-handed chess game, (46) and
possibly for the oblong chess game (47) and nard (a race game).(48)
Four-Handed Chess (49)
Arabic sources reveal that in early times (ninth century) four-handed
chess was played with dice. The earliest description (50) is that of
al-Biruni (362/973-440/1048) in his Kitabfi tahqiq ma lil-Hind.(51) He says that since this game is not known to the Arabs he is going to
give a full description of it as he saw it played among the Indians.
(p.
125)
The game
is played by four people, having eight men each: King, Bishop Knight,
Rook, and four Pawns. It is clear that both cubic (1-6, 2-5 3-4) and
rec- tangular (1-6, 2-5) dice can be used. Each number relates to
a specific piece or pieces, which must be moved when that number comes
up. If the dice are rectangular, therefore carrying only four numbers,
each number must correspond to two kinds of piece. But if they are
cubic, with six numbers, the same rule still applies because the two
extra faces are considered equivalent to two of the set of four faces,
thus implying that the rectangular dice are the original ones and
the cubic dice only a substitute for them.
The
rectangular die is still common in India, where it is called pasa,
being used also for the race-games of the pachisi type, chausar and
chaupur, which are played upon a four-armed board. According to Murray,
(53) Indian four-handed chess was played with a long die from the eleventh
century to the fifteenth century but he gives no supporting references.
In India four-handed chess was still played - but without dice - at
the beginning of this century. (54)
Figure 34 Draughtsman, ivory. Excavated at Fustat, nth century (?) AD. Ashmolean
Museum, acc. no. EA 1974.65.
Figure 35 Draughtsman,
ivory. Reported to come from Fustat. Ashmolean Museum, acc. no. X332I.
Ordinary
Chess
In the Alfonso manuscript we are informed that the ordinary game of
chess may be played with dice to 'speed it up',(55) and continues
with the explanation of how to move the pieces according to the number
thrown. Since it speaks of six numbers, it is clear that a cubic die
is to be used. There is also literary evidence for chess played with
dice in Italy in the eleventh century, although neither the form of
chess is specified, nor the kind of dice.(56) It may also be noted
that the Alfonso manuscript refers to the use of a seven-sided die
for the great chess (twelve by twelve cells).(57)
Oblong
Chess
Among the games deriving from ordinary chess is oblong chess, an account
of which is found in al-Masudi's Muruj al-dhahab ('Lands of Gold',
tenth century). (58) This was played with the help of dice on a board
of four by sixteen squares, with pieces of the ordinary game. In a
twelfth-century Arabic Kitab al-shatranj ('Book on Chess') in Istanbul
(59) it is explained that the same kind of dice as those for nard
should be used, but without specifying whether cubic or rectangular.
This manuscript and others are stated to derive from a work by al-Adli
(c.850) from which it would follow that the game was already the subject
of a specialized literature in the middle of the ninth century. The
Kitab al-shatranj also includes the earliest recorded Islamic mention
of the use of dice to determine the moves of a form of chess.(61)
Nard
(or Nardshir)
From the Chatrang-namak and, later, the Shahnama we leam that nard
was invented in Persia.(62) Here we also find an account and a symbolic
explanation of the game, which was to be transmitted to Arab writers.
.Mm/was immediately successful among the Arabs, so that al-Adli wrote
a treatise on it, which unfortunately is lost (see note 60).
Al-Yaqubi
(tenth century), in his Tarikh,(63) gives the earliest Islamic account
of nard.(64) Here we find, in addition to a description, the symbolic
explanation of the game already present in the Chatrang-namak. This
is important for our purpose because it includes the symbolism of
the die. The board stands for the year. It has 24 points because there
are 24 hours to the day. It is arranged in two parts, each with 12
points symbolizing the 12 months of the year, or the 12 signs of the
Zodiac. The number of men (in Arabic called kilab, 'dogs') is 30,
because there are 30 days to the month. The two dice stand for day
and night. The faces are arranged 6-1, 5-2, and 4-3, so that the total
of the dots on each pair of opposite faces is 7, the number of the
days of the week and of the planets.(65) The same explanation may,
we deduce, have been offered for the choice of numbers 1-6, 2-5 on
the rectangular die.
(p.127)
What
is important is not the sequence of the numbers, but the sum of the
opposite faces.(66) This symbolism is further developed in the Arabic
treatise on chess Kitab fi al-shatranj wa mansubatih wa malhih ('Book
on the Game of Chess, its Positions and Subtleties'), which includes
a section on nard, in the British Library.(67)
Regarding
the origin of this symbolic explanation, Hyde (68) quotes notes on
the Byzantine game oftabia from Greek authors, containing the germ
of the astronomical explanation in the Chatrang-namak. Noldeke (69) suggested that the symbolism went back to a Neo-Platonic or Neo-Pythagorean
source. The game of tabla, or taula, was probably identical with the
Persian and Arabic nard. It is generally accepted that when nard reached
the Byzantine empire it was given the name of tabulae, from the draughtsmen
with which it was played, thus acknowledging that nard was played
with draughtsmen.
Of all
these games, nard-was the one most widely played and most successful
in all Islamic periods and among all levels of the population. Similar
to European backgammon, (70) it still enjoys great popularity in the
Arab countries, where it is also called tawula. (71) As we have seen,
there is evidence that draughtsmen were used, but it is not clear
whether the rectangular dice were also employed. It is therefore likely
that the draughtsmen in the Ashmolean Museum are pieces for nard,
but we cannot be sure for which game the rectangular dice were used.
Dating
the Ashmolean draughtsmen and dice
None of these pieces has been examined at the radiocarbon accelerator.
Several were given by the Revd GJ. Chester in the second half of the
nineteenth century, some acquired from Cairo. Only one piece is from
an archaeological context: a draughtsman (no. 13) excavated at Fustat
in a level datable to the ninth century.(72) The rectangular die (no.
15) is also from Fustat, (73) but a surface find. The other draughtsman
(no. 14) and die (no.16) are similar in appearance to the datable
draughtsman, but any attempt at dating by comparison is unreliable,
because of the unchanging nature over centuries of the shape and decoration
of draughtsmen and dice.
Figure
36 Rectangular die, ivory. Excavated at Fustat, 9th-11th
century AD. Ashmolean Museum, ace. no. EA 1974.64.
Figure 37 Rectangular die, ivory. Reported to come from
Fustat, 10th-11 ith century (?) AD. Ashmolean Museum, ace. no. X3322.
Figure 38 Cubic die, ivory. Bought in Cairo, a modem piece,
possibly igth century. Ashmolean Museum, ace. no. X333I.
(p
129)

Figure 39 Alfonso X's Libra del Ajedrez, tablas y dados, dated AD 1283: the making
of dice. San Lorenzo del Escorial, Biblioteca Real, MS T.I.6, fol.65v
(photograph courtesy of the Biblioteca Real)

Figure 40. Alfonso X's Libra delAjedre, tablasy dados, dated
AD 1283: the playing of dice San Lorenzo del Escorial, Biblioteca
Real, MS T.I.6, fol.84v (photograph courtesy of the Biblioteca Real)
There is only one further general observation that may be relevant
to our purpose: the rectangular die seems not to be used in the Arab
countries in modern times. The archaeological evidence in Islamic
contexts, so far, is only for a period between the ninth and the eleventh
century (see Appendix II). But we need more archaeological evidence
and a good analysis of the existing pieces before any reliable conclusions
can be drawn. In the present state of research, therefore, a relative
chronology for the dice is not possible, but it is to be hoped that
these pieces will be subjected to radiocarbon examination, thus enabling
a more accurate dating.
(p.130)

Figure
41 Ivory piece, possibly a finial, excavated at Fustat, 9th-10th
century AD (photograph courtesy of George Scanlon).
Figure 42 Wood chess pieces. Serce Limani wreck, first half
10ith century AD

Figure 43 Rock crystal chess pieces. Egypt, 10th century AD.
Kuwait, Dar al-Athar al-Islamiyya, inv. no. LNS i HSa-j (photograph
courtesy of the Al-Sabah Collection, Dar al-Athar al-Islamiyya, Kuwait
National Museum). Style set A.
Figure 44 Rock crystal chess pieces. Egypt, 10th century AD.
Kuwait, Dar al-Athar al-Islamiyya, inv. no. LNS 2 HSa-e (photograph
courtesy of the Al-Sabah Collection, Dar al-Athar al-Islamiyya, Kuwait
National Museum). Style set A.

Figure 45 Rock crystal chesspieces Egypt (?). 10th - 12th
A.D. Osnabrik cathedral treasure. Set style A.

Figure 46 Ceramic chess set. Iran, 12th century AD (photograph
courtesy of Oliver Hoare). Style set A.
Figure 47 Chess pieces (three Kings or Queens and a Knight),
ivory. 10th-11th century AD. London, British Museum, inv. nos 77.8-2.8;
62.8-9.2; 56.6-124; 81.7-19.47. Style set A.

Figure 48 Draughtsmen, ivory. Excavated at Mansura, 10th century (?) AD. London,
British Museum, inv. nos 1031,1016/28.
Figure 49 Cubic die, ivory. Excavated at Mansura, 10th century
(?) AD. London, British Museum, inv. no.57.ii-18.67.

Figure 50 Rectangular die, ivory. Excavated at Mansura, 10th
century (?) AD. London, British Museum, inv. no. 1027.
Figure 51 Rectangular die, ivory. Excavated at Fustat, 9th-10th
century AD. Kelsey Museum of Ancient and Medieval Archaeology, University
of Michigan (drawing courtesy of George Scanlon)
Figure 52 Draughtsman, ivory. Serce Umani wreck, first half
11th century AD (after Cassavoy (1988).

Figure 53 Draughtsman, glass, 7th-10th century AD. New York,
Metropolitan Museum of Art, inv. no. 1974.98.6 (after Jenkins (1986).
Figure 54 Rectangular die, ivory. 9th-10th century AD. London,
British Museum, inv. no.95.ii-27.2-

Figure 55 Ivory fragments, excavated at Mansura, thought to
be chess pieces, but probably finials. London, British Museum.
Figure 56 Ivory gaming pieces(?), excavated at Mansura. London,
British Museum.
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